where halftone earns its keep
Six places dots beat pixels
for zines
A risograph-feel cover image without a riso
Real risograph machines are gorgeous and cost $4000. The aesthetic — chunky red or moss dots on cream paper — is actually a pattern, not a printer. Run any photo through this tool with the Riso Red preset, print on cream cardstock, fold and staple. Done.
for comics
Lichtenstein-style portrait, two clicks
Pop-art portraits live on big black dots over flat color. Pick the Classic preset, crank dot size to 140%, lower contrast to 80% so the highlights stay clean. Print, frame, hang next to the door. People think you commissioned it.
for posters
A high-contrast band poster
Punk and indie show flyers are halftone-or-bust. Punk Zine preset (red on near-black), small spacing, max contrast — the photo turns into a graphic. Drop type on top in another tool, photocopy, staple to telephone poles.
for scrapbooks
A halftone backdrop for a journal page
Halftone photos read as 'newspaper clipping' even when they're not. Drop a portrait into Paper preset (ink on cream), crank spacing to 14px so the dots are visible. Glue it onto a kraft journal page; everything around it suddenly reads as documentary.
for editorial
A magazine-style stock photo treatment
Editorial design uses halftone to add texture and reduce visual weight. Tune the spacing fine (5-7px) and contrast moderate, and a phone photo becomes a usable editorial illustration. Pair with a serif headline; you've got a magazine spread, not a snapshot.
for prints
A texture overlay for screen-print transfers
Screen-printing onto fabric needs a tonal source converted to dots before the screen can be made. The classic black-on-white preset at small spacing produces a usable separation. Tune the contrast so highlights drop out cleanly.